Intertwining upholstery and structural systems into a single design process marries fashion’s fabric manipulation techniques and upholstery, allowing for the potential of the fabric to reveal inherent three-dimensional forms. In this manner, the techniques inform the design process through the introduction of alternative approaches to upholstery manipulation, sewing, and patterning. The approach helps to transform two-dimensional flat upholstered surfaces into three-dimensional upholstered forms.
Through the use of composite construction materials, capable of being sewn and patterned for furniture in the same manner as for fashion, I addressed the integration of a chair’s structural and cushion system. I investigated these systems in the ergonomic composition of Harry Bertoia’s Diamond Chair through the assembly of composite materials. The triangular patterning of points and the systematic variation of spacing created the curvature for the seat deck and supported the successful transition to the arms.
The above concepts evolved from focused exploration of the potential for transfer of processes between fashion, upholstery, and seating fabrication techniques. I set out to challenge traditional ideas regarding the appearance of upholstered furniture surfaces and the role of highly skilled trades people during the design process, by stressing individual contributions through their possession of diverse and undervalued skill sets to innovative furniture design and processes. The project serves to spark new interest in the field of upholstery, lead to a greater realization of the role that skilled people can play in design development, and the potential for fabrication as a site for design and innovation.
